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What Should I Say

by Elysian Fields

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    Comes with a 16 page, full colour booklet designed by Lyndall Gerlach with information on the group, the performers and each track.

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1.
Stand Whoso List - by Sir Thomas Wyatt Stand whoso list upon the slipper top Of court’s estates, and let me here rejoice; And use me quiet without let or stop, Unknown in court, that hath such brackish joys: In hidden place, so let my days forth pass, That when my years be done, withouten noise, I may die agèd after the common trace, For him death gripeth right hard by the crope That is much known of other; and of himself alas, Doth die unknown, dazed with dreadful face.
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3.
Whoso List to Hunt, I Know where is an Hind - by Sir Thomas Wyatt Whoso list to hunt, I know where is an hind, But as for me, hélas, I may no more. The vain travail hath wearied me so sore, I am of them that farthest cometh behind. Yet may I by no means my wearied mind Draw from the deer, but as she fleeth afore Fainting I follow. I leave off therefore, Sithens in a net I seek to hold the wind. Who list her hunt, I put him out of doubt, As well as I may spend his time in vain. And graven with diamonds in letters plain There is written, her fair neck round about: Noli me tangere, for Caesar's I am, And wild for to hold, though I seem tame.
4.
What should I say - by Sir Thomas Wyatt What should I say, Since faith is dead, And truth away From you is fled? Should I be led With doubleness? Nay, nay, mistress! I promised you, And you promised me, To be as true As I would be. But since I see Your double heart, Farewell my part! Though for to take It is not my mind, But to forsake [One so unkind] And as I find, So will I trust: Farewell, unjust! Can ye say nay? But you said That I alway Should be obeyed? And thus betrayed Or that I wiste— Farewell, unkissed.
5.
They flee from me - by Sir Thomas Wyatt They flee from me that sometime did me seek With naked foot, stalking in my chamber. I have seen them gentle, tame, and meek, That now are wild and do not remember That sometime they put themself in danger To take bread at my hand; and now they range, Busily seeking with a continual change. Thanked be fortune it hath been otherwise Twenty times better; but once in special, In thin array after a pleasant guise, When her loose gown from her shoulders did fall, And she me caught in her arms long and small; Therewithall sweetly did me kiss And softly said, “Dear heart, how like you this?” It was no dream: I lay broad waking. But all is turned thorough my gentleness Into a strange fashion of forsaking; And I have leave to go of her goodness, And she also, to use newfangleness. But since that I so kindly am served I would fain know what she hath deserved.
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Elysium I 03:28
Elysium I by Philip Pogson To travel on the wings of time to some fair place, And find when comes to pass such beauty and such grace. The colours of our dreams embrace, Their once veiled souls now face to face. The heroes of our world now faded from our view, In heaven we now see eternities so few. To judge not is to live anew, They find their place as we find too. And now the pain sets in the loss is so acute, The bravest of us all stand silent and then mute. To now discern with thoughts astute Each more resolved to dream through time. We must be bold to dream, be bold to dream, be bold to dream through time.
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Elysium II 03:58
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Elysium III 02:57
Elysium III - by Philip Pogson The cool breeze from the harbour-side, How I long for the sea. For its years since I lay in your warm, strong arms, And an age since I smelled your sweet breath. Now I’m home-bound to take up my rest. There is love that will last a while, There is love that will die. But the love that we share lives beyond the waves, And is steeped deep in our native land… And is steeped deep in our native land… The cool breeze from the harbour-side, How I long for the sea! For its years since I lay in your warm, strong arms, And an age since I smelled your sweet breath. Now I’m home-bound to take up my rest.
11.
Elysium IV 02:47
Elysium IV - by Philip Pogson Peace and hope, to have found a place of peace and hope; Any fear is left be-hind, all our fears are left behind. Open now, all the gates to that great shard of light; The bright star that never fails, the warm glow that never dies. Your dreams will always, Lead the way for-ward. Peace and hope and; Finale Shine out, that great shard of light that never fails.
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At Carna 06:05
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about

What Should I Say is an experiment in creating improvised, composed and semi-composed repertoire for the rarest of instruments, the electric viola da gamba. The idea emerged out of a sense that I wanted to extend myself musically and personally after years of intensive work on the acoustic version of my instrument. I’d seen people playing the electric viola da gamba on You Tube and decided to try my hand at it.

Relationships were important to me in co-creating the Elysian Fields. Although I am classically trained and specialise in French baroque music, I have attended jazz events for years. Matt McMahon and I got to know each chatting about music at jazz gigs. It seemed natural to ask him to write for me and to then for us to play together. I first met Matt Keegan when I taught him at school “a few years back!” Like Matt McMahon, he grasped immediately what I wanted to do with the electric gamba and writes beautifully for the band. Susie Bishop and I have collaborated on several projects across a range of genres. We have always clicked personally and musically. I am a great fan of her voice and violin playing. I love working with our talented young rhythm section: drummer, Finn Ryan and bass guitarist, Siebe Pogson. They not only keep us in time, but their youth and stream of ideas keep us honest. These people are not only amazing musicians, they are wonderful human beings. I am humbled by their generosity and patience in allowing me to become part of their musical world.

Over the past three years we’ve gone about developing the ensemble in a largely intuitive way. We’ve written and arranged charts and tried them out, learning as we go. Given the ancient roots of the viola da gamba – the viol family traces its origins back way well before that of the violin – it was inevitable that a multilayered dialogue has emerged between past and present. This involves elements of baroque, classical, jazz, world and folk music. The past-present conversation is evident in the textures we create, the musical languages we explore and even the texts we’ve set to music such as poems by Thomas Wyatt. In addition, I believe that the 7-string viola da gamba, which is tuned in fourths and a third like a guitar, is a naturally modal instrument and highly suited to the subtle harmonic inflections that Matt McMahon, Matt Keegan and Siebe Pogson create in their compositions. Pulling this all together has been exciting and has changed me forever. I can only hope listeners enjoy the result.

Jenny Eriksson

credits

released October 21, 2018

Susie Bishop - voice & violin
Matt Keegan - saxophones
Jenny Eriksson - electric viola da gamba
Matt McMahon - piano
Siebe Pogson – bass guitar
Finn Ryan - drums

Produced by Llew Kiek
Recorded by Chris Doherty
Mixing produced by Matt Keegan & Ritchie Belkner
Mixed by Ritchie Belkner
Mastered by Michael Lynch, Shoehorse Sound

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Elysian Fields Sydney, Australia

Elysian Fields is one of the world's rare electric viola da gamba bands. The sextet was founded by gambist, Jenny Eriksson along Matt Keegan, sax, and Matt McMahon, piano. We largely play original music and arrangements written by group members.

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